Antoine Dougbe et L'Orchestre Poly-Rythmo De Cotonou 2LP NEW
Antoine Dougbe et L'Orchestre Poly-Rythmo De Cotonou LP NEWÂ
Analog Africa
Who was Antoine DougbĂ©? Even the most dedicated crate-digger might go their whole life without stumbling across any of the three LPs he released in the late 1970s and early â80s. Yet all the musicians who happened to cross paths with him remember with a mixture of admiration and fear; for Antoine DougbĂ© was not merely one of the most inventive songwriters to emerge from the fertile music scene of Cotonou, but also a powerful VodĂșn initiate whose close connection to the spirit world allowed him to refer to himself as âthe Devilâs prime minister.â
In Cotonou, a city that had established itself as one of the centres of the West African music scene, the young man found himself drawn to Cuban son and rumba. But his fascination with the traditional rhythms of Beninâespecially those associated with VodĂșn ceremoniesâallowed DougbĂ© to take his music in directions far removed from anything happening in the Congo.
DougbĂ© neither sang nor performed any of the main instrumental parts of his songs. It has been suggested that his involvement with VodĂșnâin which singing plays a crucial role in important ritualsâeffectively prohibited him from using his voice for anything as frivolous as a popular song. Whether driven by the thrill of the music or by fear of crossing the Devilâs prime minister, DougbĂ©âs records all feature Orchestre Poly-Rythmo playing at the absolute height of their considerable powers.
Dougbé released three LPs and a handful of singles under his own name, but never quite found the audience he deserved. By the early eighties he had vanished from the music scene.
Analog Africa now brings his small but extraordinary body of work to a wider audience with a double LP compilation featuring 12 songs, a whirlwind of circular guitars, synths, mesmerising layers of Afro-Cuban and Cavacha madness.
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Antoine Dougbe et L'Orchestre Poly-Rythmo De Cotonou LP NEWÂ
Analog Africa
Who was Antoine DougbĂ©? Even the most dedicated crate-digger might go their whole life without stumbling across any of the three LPs he released in the late 1970s and early â80s. Yet all the musicians who happened to cross paths with him remember with a mixture of admiration and fear; for Antoine DougbĂ© was not merely one of the most inventive songwriters to emerge from the fertile music scene of Cotonou, but also a powerful VodĂșn initiate whose close connection to the spirit world allowed him to refer to himself as âthe Devilâs prime minister.â
In Cotonou, a city that had established itself as one of the centres of the West African music scene, the young man found himself drawn to Cuban son and rumba. But his fascination with the traditional rhythms of Beninâespecially those associated with VodĂșn ceremoniesâallowed DougbĂ© to take his music in directions far removed from anything happening in the Congo.
DougbĂ© neither sang nor performed any of the main instrumental parts of his songs. It has been suggested that his involvement with VodĂșnâin which singing plays a crucial role in important ritualsâeffectively prohibited him from using his voice for anything as frivolous as a popular song. Whether driven by the thrill of the music or by fear of crossing the Devilâs prime minister, DougbĂ©âs records all feature Orchestre Poly-Rythmo playing at the absolute height of their considerable powers.
Dougbé released three LPs and a handful of singles under his own name, but never quite found the audience he deserved. By the early eighties he had vanished from the music scene.
Analog Africa now brings his small but extraordinary body of work to a wider audience with a double LP compilation featuring 12 songs, a whirlwind of circular guitars, synths, mesmerising layers of Afro-Cuban and Cavacha madness.
