
Notes to John by Joan Didion
An extraordinary work from the author of The Year of Magical Thinking and Blue Nights
In November 1999, Joan Didion began seeing a psychiatrist because, as she wrote to a friend, her family had had āa rough few years.ā She described the sessions in a journal she created for her husband, John Gregory Dunne.
For several months, Didion recorded conversations with the psychiatrist in meticulous detail. The initial sessions focused on alcoholism, adoption, depression, anxiety, guilt, and the heartbreaking complexities of her relationship with her daughter, Quintana. The subjects evolved to include her work, which she was finding difficult to maintain for sustained periods. There were discussions about her own childhoodāmisunderstandings and lack of communication with her mother and father, her early tendency to anticipate catastropheāand the question of legacy, or, as she put it, āwhat itās been worth.ā The analysis would continue for more than a decade.
Didionās journal was crafted with the singular intelligence, precision, and elegance that characterize all of her writing. It is an unprecedently intimate account that reveals sides of her that were unknown, but the voice is unmistakably hersāquestioning, courageous, and clear in the face of a wrenchingly painful journey.
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An extraordinary work from the author of The Year of Magical Thinking and Blue Nights
In November 1999, Joan Didion began seeing a psychiatrist because, as she wrote to a friend, her family had had āa rough few years.ā She described the sessions in a journal she created for her husband, John Gregory Dunne.
For several months, Didion recorded conversations with the psychiatrist in meticulous detail. The initial sessions focused on alcoholism, adoption, depression, anxiety, guilt, and the heartbreaking complexities of her relationship with her daughter, Quintana. The subjects evolved to include her work, which she was finding difficult to maintain for sustained periods. There were discussions about her own childhoodāmisunderstandings and lack of communication with her mother and father, her early tendency to anticipate catastropheāand the question of legacy, or, as she put it, āwhat itās been worth.ā The analysis would continue for more than a decade.
Didionās journal was crafted with the singular intelligence, precision, and elegance that characterize all of her writing. It is an unprecedently intimate account that reveals sides of her that were unknown, but the voice is unmistakably hersāquestioning, courageous, and clear in the face of a wrenchingly painful journey.











