
Shadow Ring - Wax-Work Echoes LP NEW
Shadow Ring - Wax-Work Echoes LP
NEW. SEALED.
Blank Forms Editions Records
Originally conceived as a compilation of outtakes and live recordings from The Shadow Ringâs 1995 stateside tour, Wax-Work Echoes takes its name from the first line of âPut the Music in Its Coffin,â the title track of the groupâs breakthrough release. Lambkin abandons the bitsand-bobs approach, advancing the Shadow Ring concept with entirely original material that builds on the unitâs self-mythologizing lyrics, celebrates the clicking of horse hooves, ponders on the sociability of rats and mice, and warns of the dangers of poultry. The first Shadow Ring album to officially include Tim Goss in the main lineup, WaxWork Echoes reveals the group in its final and lasting form, awash in the outer bounds of atmospheric exploration, with Lambkinâs familiar wry and morbid lyricism and the stripped-down angularity of amateurishly detuned guitars fully intact. While Klaus Canterbury and Tony Clark seem all but forgotten, and the shrugged off S. Fritz is listed on the liner notes as performing only âwhen required,â Lambkin did solicit contributions from outside the inner circle. A bit of âMambo Twist,â lifted from a tape of unreleased Vitamin B12 material sent to Lambkin by Alasdair Willis, found its way into âV.E.R.M.I.N.,â while an extended epistle contribution from Richard Youngs (and, technically, Brian Lavelle) would be employed in the second half of âCatching Sight/Of Passing Things.â Â Released on CD in 1996 for Bruce Russellâs newly minted Corpus Hermeticum, Wax-Work Echoes was recorded concurrently with intense rehearsal periods, in anticipation of the forthcoming âRose Watson Tour,â and was supported by a celebratory fanzine media blitz. The album seemingly absorbs the frenetic excess of the bandâs transatlantic travels; Wax-Work Echoes channels the trioâs wilder instincts into an unresolved catharsis, not yet free of frustration or restlessness. Out of print for almost three decades and available here for the first time ever on long-playing disc, Wax-Work Echoes is a classic from the outer eddies of The Shadow Ringâs sound, a must-have for any aficionadoâs collection: âA window slides, glass slips from frame / And canvas carcass breathes again.â Â Throughout their legendary, decade-long run, the Shadow Ring were an enigmatic force on the international musical sub-underground. Before their disbandment in 2002, this shambolic rock outfit, formed by a group of rowdy teenagers in southeast England, left behind a mighty run of eight LPs, a handful of 7âs, and a spate of raucous live shows and cryptic zine appearances on both sides of the Atlantic, all which have bolstered their enduring word-of-mouth mystique. Beginning in 2023 with the first-ever vinyl pressing of the self-released preâShadow Ring tape The Cat & Bells Club (1992), Blank Forms Editions has been conducting a systematic retrospective of the storied group.Â
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Shadow Ring - Wax-Work Echoes LP
NEW. SEALED.
Blank Forms Editions Records
Originally conceived as a compilation of outtakes and live recordings from The Shadow Ringâs 1995 stateside tour, Wax-Work Echoes takes its name from the first line of âPut the Music in Its Coffin,â the title track of the groupâs breakthrough release. Lambkin abandons the bitsand-bobs approach, advancing the Shadow Ring concept with entirely original material that builds on the unitâs self-mythologizing lyrics, celebrates the clicking of horse hooves, ponders on the sociability of rats and mice, and warns of the dangers of poultry. The first Shadow Ring album to officially include Tim Goss in the main lineup, WaxWork Echoes reveals the group in its final and lasting form, awash in the outer bounds of atmospheric exploration, with Lambkinâs familiar wry and morbid lyricism and the stripped-down angularity of amateurishly detuned guitars fully intact. While Klaus Canterbury and Tony Clark seem all but forgotten, and the shrugged off S. Fritz is listed on the liner notes as performing only âwhen required,â Lambkin did solicit contributions from outside the inner circle. A bit of âMambo Twist,â lifted from a tape of unreleased Vitamin B12 material sent to Lambkin by Alasdair Willis, found its way into âV.E.R.M.I.N.,â while an extended epistle contribution from Richard Youngs (and, technically, Brian Lavelle) would be employed in the second half of âCatching Sight/Of Passing Things.â Â Released on CD in 1996 for Bruce Russellâs newly minted Corpus Hermeticum, Wax-Work Echoes was recorded concurrently with intense rehearsal periods, in anticipation of the forthcoming âRose Watson Tour,â and was supported by a celebratory fanzine media blitz. The album seemingly absorbs the frenetic excess of the bandâs transatlantic travels; Wax-Work Echoes channels the trioâs wilder instincts into an unresolved catharsis, not yet free of frustration or restlessness. Out of print for almost three decades and available here for the first time ever on long-playing disc, Wax-Work Echoes is a classic from the outer eddies of The Shadow Ringâs sound, a must-have for any aficionadoâs collection: âA window slides, glass slips from frame / And canvas carcass breathes again.â Â Throughout their legendary, decade-long run, the Shadow Ring were an enigmatic force on the international musical sub-underground. Before their disbandment in 2002, this shambolic rock outfit, formed by a group of rowdy teenagers in southeast England, left behind a mighty run of eight LPs, a handful of 7âs, and a spate of raucous live shows and cryptic zine appearances on both sides of the Atlantic, all which have bolstered their enduring word-of-mouth mystique. Beginning in 2023 with the first-ever vinyl pressing of the self-released preâShadow Ring tape The Cat & Bells Club (1992), Blank Forms Editions has been conducting a systematic retrospective of the storied group.Â












